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Project 501: You Can’t Take it With You

by Liz

canttake.jpg

I had to wonder a little this weekend about the Best Picture nominee list in 1938. There must have been an intense historical epic in the running, right? A gut-wrenching war story? A too-long biopic? So how did a sweet little dramedy like You Can’t Take it With You end up with the golden statuette? Can you imagine if Juno had beaten out No Country for Old Men this last March? The 1938 ceremony must have been something like that.

You Can’t Take it With You is almost comical in its Capra-ness. This is right in the middle of his prime, after It Happened One Night and Mr. Deeds Goes to Town, and before Mr. Smith Goes to Washington, Arsenic and Old Lace, and It’s a Wonderful Life, and it combines some of his favorite things: the common man, David and Goliath, the desperation of true love, the joy of community. It even takes place in a house that looks suspiciously like the Baileys’ in It’s a Wonderful Life, and stars Jimmy Stewart.

This is a movie that, in a sense, hasn’t aged all that well. Audiences—and especially Oscar voters—like to think they’ve grown over the years, and You Can’t Take it With You is a fantastically simple story. Whether or not films have grown more emotionally complex since 1938, Capra’s world feels out of pace and out of place, like sincerity has no place in our moviegoing world. On the other hand, well, it’s delightful. Spoiler alert: the good guys win and the bad guys become good guys, and Jimmy Stewart is adorable, and there’s amateur ballet and a harmonica duet and a healthy dose of (literal) fireworks. Capra takes this funny, noisy, lovable family out of their own living room and into the audience’s, din and all. And seeing them so close up, it’s hard not to smile a little at their scrapes and their can-do attitude and the way everything works out. We get their snappy dialogue and the carefulness of their characterization along with the general hilarity of being part of the family—it turns out that behind the fun, somebody knew what they were doing all along, such that the Sycamore-Vanderhof household is not only more fun than the suits they’re up against, but than their competitors in other movies as well. And that is an accomplishment: something to smile about in the Best Picture slot. Slick, Capra. Real slick.

Next on Project 501: Gone with the Wind (1939)

For more on the origins of Project 501, click here. For all Project 501 posts, click here.

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